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FS Meridian is the timeless typeface.
A rhythmic sans serif which takes inspiration from the precise yet imperfect nature of time. From a geometric base, its rounded forms veer and extend, creating unexpected humanistic shapes – while the straight terminals remain reliably rigid. This combination of forms gives this grotesque sans serif a pleasingly dynamic rhythm,
every time it’s read.
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FS Irwin is an incisive typeface.
Inspired by New York and cosmopolitan
city life, FS Irwin is an adaptable sans
serif with calligraphic roots.
The design, proportions and details are
usable and authentic making it suitable
for countless situations. A perfectly
clear typeface that can communicate
an idea with precise simplicity.
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Lola is a font family full of life and has a wide range of uses. Large and small FS Lola is full of character.
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FS Koopman is a hard-working typeface.
A crossbred workhorse that draws on inspiration from Swiss grotesks, American gothics and early British grotesques. It refuses to fit neatly into any of these categories, it’s neither
one nor the other, but all of the above. It’s kinda Swiss meets American… (but with a slight Yorkshire twang).
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FS Matthew is a multi-talented typeface.
A clear, stylish and structured sans serif with swooping curves of openness which create a lively, flavourful character. Unexpected drama in details such as the reaching curve of the g and y, the shape of the u, and the off-kilter k, v and w all
build-up the fonts character. Generous counters and a slightly condensed aspect come together to make it very legible and space-saving in text or title sizes. A structured system for solid corporate identities, signage systems, logotypes, screens, websites and billboard ads. An all round multi-talented font with a feel-good factor – radiant, efficient and sound.
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FS Shepton is a natural typeface.
100% hand-drawn and purposely imperfect, with the kind of inconsistent, organic shapes and textures of signs used in a delicatessen or greengrocers. A series of display fonts for packagaing, advertising and point-of-sale.
FS Shepton offers up three alphabets that are similar in character but each with their own texture and style.
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Albert Arabic a charismatic type. A warm, sensitive face with a big personality. He’s a friendly sans serif font; shapely, flexible and modern. Available in a wide range of weights, Albert’s a versatile face ideal for use in most applications.
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Hegemony is an energetic, modern calligraphy typeface which is composed of heavy and clean strokes. Its clean appearance will help you keep the balance of your overall design easier. It is made as a complimentary font that works well with any sans serif font and most design styles for both print and display purpose.
Hegemony offers maximum flexibility by its alternates which are available for all uppercase and lowercase characters.
Hegemony supports most latin-based alphabets in its Latin Extended-A character set. Its alternate characters and swashes are PUA-Encoded, which make them accessible through Windows/Mac built-in application (Character Map/Font Book).
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The Wildaloney script is a beautiful, classic calligraphic font in regular and italic, which will add a sweet, elegant, and perfect feel to your design. It’s great for logo projects, wedding invitation cards, branding, home designs, product packaging, and every other design that needs an elegant typeface.
This script has more than 400+ glyphs in each style, has two uppercase heights and many alternative lowercase characters, as well as a large selection of stylish devices, allowing you to make your design truly unique.
To activate the OpenType Stylistic alternative, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or newer versions.
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The Greyspark Font is a great font selection for a big range of design projects. These fonts will add a beautiful and light retro charm to any design project! This font is perfect for branding logo, illustration, or apparel design. This font also support multilingual, number and symbol. This font comes in three style, regular, stamp, and block. The script style have the clean feel, the stamp gives you the aged feel with texture on it, and the block style have a rough edge.
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Eskos is designed for headings. It is deliberately diagonal and gives a sharp, oblique texture in the text set. It has rough irrational knots and oblique strokes.
Eskos supportsBasic Latin, Cyrillic and more than 100 languages all together.
The font was designed by Viktor Pesotsky.